Algernon Blackwood

Algernon Blackwood

Summary

Portrait of Algernon Blackwood Algernon Blackwood The Damned

I came to feel the only friendly things in all this hostile, cruel place were the robins that hopped boldly over the monstrous terraces and even up to the windows of the unsightly house itself. The robins alone knew joy; they danced, believing no evil thing was possible in all God's radiant world. They believed in everybody; their god's plan of life had no room in it for hell, damnation, and lakes of brimstone. I came to love the little birds. Had Samuel Franklyn known them, he might have preached a different sermon, bequeathing love in place of terror!
Source: Gutenberg

Portrait of Algernon Blackwood Algernon Blackwood The Damned

I deliberately invited an interpretation in the way that came easiest to me—writing.
But in this case there came no such revelation. Looking closely at the trees and flowers, the bits of lawn and terrace, the rose-garden and corner of the house where the flaming creeper hung so thickly, I discovered nothing of the odious, unpure thing her color and grouping had unconsciously revealed. At first, that is, I discovered nothing. The reality stood there, commonplace and ugly, side by side with her distorted version of it that lay in my mind. It seemed incredible.
Source: Gutenberg

Portrait of Algernon Blackwood Algernon Blackwood The Damned

Moreover, the garden grew into the house, the house into the garden, and in both was this idea of resistance to the natural—the spirit that says No to joy. All over it I was aware of the effort to achieve another end, the struggle to burst forth and escape into free, spontaneous expression that should be happy and natural, yet the effort forever frustrated by the weight of this dark shadow that rendered it abortive. Life crawled aside into a channel that was a cul-de-sac, then turned horribly upon itself.
Source: Gutenberg

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