Summary

Portrait of Algernon Blackwood Algernon Blackwood The Man Who Played Upon the Leaf

In the night, too, when skies were quiet and stars agleam, or in the still watches before the dawn, I would sometimes wake with the sound of clustered branches combing faint music from the gently-rising wind, and figure to myself that strange, lost creature wandering with his dog and leaf, his pélerine, his flying hair, his sweet, rapt expression of an inner glory, out there among the world of swaying trees he loved so well. And then my first soft view of the man would come back to me when I had seen him in the dusk as a tree
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood The Man Who Played Upon the Leaf

Often and often since have I wondered what it was in that singular music that made me know the distant Alps listened in their sky-spaces, and that the purple slopes of Boudry and Mont Racine bore it along the spires of their woods as though giant harp strings stretched to the far summits of Chasseral and the arid wastes of Tête de Rang.
In the music this outcast played upon the leaf there was something of a wild, mad beauty that plunged like a knife to the home of tears, and at the same time sang out beyond them⁠—something coldly elemental, close to the naked heart of life.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood The Man Who Played Upon the Leaf

And the instant I turned at the sound of the leaf, there he was, leaning against some dark tree-stem, part of a shadow perhaps, growing like a forest-thing out of the thick moss that hid his feet, or merging with extraordinary intimacy into the fronds of some drooping pine bough! Moreover, this concealment was never intentional, it seems, but instinctive. The life to which he belonged took him close to its heart, draping about the starved and wasted shoulders the cloak of kindly sympathy which the world of men denied him.
Source: Wikisource

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