Anna Alice Chapin

Anna Alice Chapin

High Tide (1919)

Summary

Portrait of Anna Alice Chapin Anna Alice Chapin High Tide (1919)

The dead come back, the dead come back. She shuddered in darkest memory, thanking what powers might be that her own dead could not come back.
And then——
She heard a dragging, stealthy, shuffling step coming up toward her from the sea. The drip, drip of sea water came to her, as if some ocean monster were creeping in from the far deeps. Mrs. Darrell did not move; a queer spell was on her. What was it that was coming? She knew that it was danger, but she never thought of the escaped criminal poor Hawkins feared so much.
Source: Wikisource

Portrait of Anna Alice Chapin Anna Alice Chapin High Tide (1919)

It never was much of a hammock. Useful enough to-night, though, on account of the poor ankle, wasn't it, dear?”
She nodded, and stood gazing down. The hammock had disappeared. There was no doubt that in the changing tide it would be loosened, rent, and whatever it held given to the open sea. The waves, when trusted, at high tide, seldom betray secrets.
All at once she had to choke back a shriek, for it seemed to her that she saw a hand, a human hand, floating there in the dusk and rush and clangor of water. She flung her black velvet cloak violently at it, to cover it.
Source: Wikisource

Portrait of Anna Alice Chapin Anna Alice Chapin High Tide (1919)

Dead men told no tales; dead men told no tales.
When Jeremy Darrell returned, his wife was standing, supporting herself by a cedar pillar. The hunting coat lay at her feet like a pool of blood in that light, and her black velvet cloak was hanging on her arm. She was staring down into the swirling water that came so close beneath them—very marvelously close at the hour of high tide.
“Everybody gone!” he announced, with a sigh of comfortable relief. “Why, you're standing, Leila! Ankle better, old girl?”
Source: Wikisource

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