Anna Alice Chapin

Anna Alice Chapin

Summary

Portrait of Anna Alice Chapin Anna Alice Chapin The Treachery of Miggie Bean (1914)

Dull hair, freckles, thin red wrists, and a paucity of flesh and blood all over, can never make wholly unbeautiful a girl who gives forth such a radiance of divine honesty and purity as little Miggie Bean.
She stood now, looking from the burned cloth to Mrs. Crawley and back again, in a passion of regret, a fervent, disproportioned longing to make it whole again—not to escape punishment, but to right a wrong.
“You may go on with your work,” said her employer, controlling herself before Mrs. Baggs. “Of course you will not be paid anything this week.
Source: Wikisource

Portrait of Anna Alice Chapin Anna Alice Chapin The Treachery of Miggie Bean (1914)

In her dirty clothes, and in that pose of despair, she struck the timid, neat old woman who watched her as a curiously and incomprehensibly impressive little figure. For even to the dull and uninitiate, suffering must ever have a dignity of its own.
“Oh, it ain't fair!” cried Miggie Bean hoarsely. “It's only a centerpiece to her; but it's just my whole life to me!”
She did not care whether Mrs. Baggs could sympathize or not. Her bursting heart had to be heard, and she talked on.
“I shan't be let in the Christmas choir unless I can get a dress to wear.
Source: Wikisource

Portrait of Anna Alice Chapin Anna Alice Chapin The Treachery of Miggie Bean (1914)

Crawley have acquaintance with Capponsacchi, the soldier priest? And what had Miggie Bean in common with Pompilia, except her innocent heart?
The undiscerning women vaguely felt that innocence and touched on it carelessly, but justly.
“She means well,” said Mrs. Baggs in tolerant fashion. “I guess Miggie Bean always means well.”
“Oh, I'd trust her, as far as that goes.” Mrs. Crawley smoothed out her wool: “But then, seventeen, Mrs. Baggs, is too young to have a young man!”
Source: Wikisource

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