Summary

Portrait of Anne Brontë Anne Brontë The Tenant of Wildfell Hall (1920 John Murray edition…

The close green walls of privet, that had bordered the principal walk, were two-thirds withered away, and the rest grown beyond all reasonable bounds; the old boxwood swan, that sat beside the scraper, had lost its neck and half its body: the castellated towers of laurel in the middle of the garden, the gigantic warrior that stood on one side of the gateway, and the lion that guarded the other, were sprouted into such fantastic shapes as resembled nothing either in heaven or earth, or in the waters under the earth
Source: Wikisource

Portrait of Anne Brontë Anne Brontë The Tenant of Wildfell Hall (1920 John Murray edition…

Near the top of this hill, about two miles from Linden-Car, stood Wildfell Hall, a superannuated mansion of the Elizabethan era, built of dark grey stone, venerable and picturesque to look at, but doubtless, cold and gloomy enough to inhabit, with its thick stone mullions and little latticed panes, its time-eaten air-holes, and its too lonely, too unsheltered situation, - only shielded from the war of wind and weather by a group of Scotch firs, themselves half blighted with storms, and looking as stern and gloomy as the Hall itself.
Source: Wikisource

Portrait of Anne Brontë Anne Brontë The Tenant of Wildfell Hall (1920 John Murray edition…

Markham,' said she; and without another word or glance, she withdrew, with her child, into the garden; and I returned home, angry and dissatisfied - I could scarcely tell you why, and therefore will not attempt it.
I only stayed to put away my gun and powder-horn, and give some requisite directions to one of the farming-men, and then repaired to the vicarage, to solace my spirit and soothe my ruffled temper with the company and conversation of Eliza Millward.
Source: Wikisource

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