Mary E. Wilkins Freeman

Mary E. Wilkins Freeman

Summary

Portrait of Mary E. Wilkins Freeman Mary E. Wilkins Freeman Other People's Cake (1908)

But the cat loved Sophia, and he knew and appreciated her love for himself. It was not the fact that she fed and sheltered him. He loved her, because he came and brushed about her, arching his back, striped as splendidly as if he had but just left the jungle, when he was not in the least hungry. Sophia took a deal of comfort with her stolen treasure, the cat. Sometimes it seemed to her that she had a queer delight in feeling that it was stolen. Sophia had a bit of the devil in her, despite her age and training, and mild and gentle ways.
Source: Wikisource

Portrait of Mary E. Wilkins Freeman Mary E. Wilkins Freeman Other People's Cake (1908)

When Sophia went to bed that night, she lay awake for hours, staring at the light in the window of the Horton house, which her room faced.
"They are sitting up," she told herself, meaning that Amy and Lem Jay were love-making in the room lit by that lamp. Poor Sophia, generous by her very nature, and even lavish, showed a little taint from her life with Eliza Price, the miserly. She thought with dismay how much the lamp must cost. Three times every week Sophia saw it burning until midnight and past, and she had gotten a habit of lying awake and watching for it to go out.
Source: Wikisource

Portrait of Mary E. Wilkins Freeman Mary E. Wilkins Freeman Other People's Cake (1908)

The woman, Sylvia White by name, ancient and decrepit, the only other living soul in Wellbrook who had known the dead Squire, subsisted in a wavering, uncertain fashion, seeming to hover over the homes of humanity as an unwelcome bird over a nest which was not hers by right; not exactly living, existing, first upon the bounty of one, then another, who harbored her with her weight of years, and plumed themselves upon their Christian discharge of duty.
Source: Wikisource

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