Summary

Portrait of Arnold Bennett Arnold Bennett The Old Wives' Tale — Book IV, Chapter II: The Meeting (1908)

Nothing will sharpen the memory, evoke the past, raise the dead, rejuvenate the ageing, and cause both sighs and smiles, like a collection of photographs gathered together during long years of life. Constance had an astonishing menagerie of unknown cousins and their connections, and of townspeople; she had Cyril at all ages; she had weird daguerreotypes of her parents and their parents. The strangest of all was a portrait of Samuel Povey as an infant in arms. Sophia checked an impulse to laugh at it.
Source: Wikisource

Portrait of Arnold Bennett Arnold Bennett The Old Wives' Tale — Book IV, Chapter II: The Meeting (1908)

But Sophia had no memories of the wholesale trade of Bursley; it meant nothing to the youth of her heart; she was attached by intimate links to the retail traffic of Bursley, and as a mart old Bursley was done for.
She thought: "It would kill me if I had to live here. It's deadening. It weighs on you. And the dirt, and the horrible ugliness! And the--way they talk, and the way they think! I felt it first at Knype station. The Square is rather picturesque, but it's such a poor, poor little thing! Fancy having to look at it every morning of one's life! No!"
Source: Wikisource

Portrait of Arnold Bennett Arnold Bennett The Old Wives' Tale — Book IV, Chapter II: The Meeting (1908)

At intervals Sophia discovered herself secretly patronizing Constance, but reflection would always cause her to cease from patronage and to examine her own defences. Constance, besides being the essence of kindness, was no fool. Constance could see through a pretence, an absurdity, as quickly as any one. Constance did honestly appear to Sophia to be superior to any Frenchwoman that she had ever encountered. She saw supreme in Constance that quality which she had recognized in the porters at Newhaven on landing--the quality of an honest and naive goodwill, of powerful simplicity.
Source: Wikisource

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