Arnold Bennett

Arnold Bennett

Summary

Portrait of Arnold Bennett Arnold Bennett The Old Wives' Tale (Bennett)… (1908)

Critchlow.
The fate of her husband presented no mysteries to Mrs. Baines. Everybody had been warned a thousand times of the danger of leaving the paralytic, whose life depended on his position, and whose fidgetiness was thereby a constant menace of death to him. For five thousand nights she had wakened infallibly every time he stirred, and rearranged him by the flicker of a little oil lamp. But Sophia, unhappy creature, had merely left him. That was all.
Mr. Critchlow and the widow gazed, helplessly waiting, at the pitiable corpse, of which the salient part was the white beard.
Source: Wikisource

Portrait of Arnold Bennett Arnold Bennett The Old Wives' Tale (Bennett)… (1908)

Baines had treated him with a faint agreeable touch of maternal familiarity; and, both her daughters being once in the shop during his visit, she had on that occasion commanded the gawky girls to shake hands with him.
Sophia had never forgotten that glimpse. The young man without a name had lived in her mind, brightly glowing, as the very symbol and incarnation of the masculine and the elegant.
Source: Wikisource

Portrait of Arnold Bennett Arnold Bennett The Old Wives' Tale (Bennett)… (1908)

John Baines had belonged to the past, to the age when men really did think of their souls, when orators by phrases could move crowds to fury or to pity, when no one had learnt to hurry, when Demos was only turning in his sleep, when the sole beauty of life resided in its inflexible and slow dignity, when hell really had no bottom, and a gilt-clasped Bible really was the secret of England's greatness.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature