Temple Bailey

Temple Bailey

Summary

Portrait of Temple Bailey Temple Bailey,  Made in Germany (1915)

“ It was Otto who left flowers for her in the most unexpected places—a rose fresh and nodding from a keyhole, a bunch of violets on the bayonet of a tin soldier, the cart of the little gray donkey heaped high with crocuses, a spray of hyacinths adorning the brow of the white elephant.
And no one but Otto took her adventuring. No one but Otto knew how to play.
And she should miss her playmate!
In the midst of her doleful reflections, she was aware that there had come suddenly within the line of her vision a big umbrella. Beneath the umbrella she could see little feet and a held-up black skirt.
”
Source: Wikisource

Portrait of Temple Bailey Temple Bailey,  Made in Germany (1915)

“ Making toys was one of the arts of peace, and Germany was at war!
Dorothea pulled up the shades of the big window. Every morning she set forth in that window the toys which were to act as a lure for the public eye. Even in these early fall days there were those who, passing through on their way from north-shore resorts, patronized the little place which was noted for its uniqueness.
It was quite the usual thing for Dorothea to give her white elephant the place of honor in the window. But this morning she would have none of him. The lead soldiers seemed to offer themselves obtrusively.
”
Source: Wikisource

Portrait of Temple Bailey Temple Bailey,  Made in Germany (1915)

“ Would you call it obstinate, Mees Dwight, if some one came to you and said: 'Give me your white elephant and your lead soldiers and your little pussycats'? You would say: 'They are mine—you are a robber.' And now it is Germany that robs. If I had met Herr von Puttkamer this morning I might have told him—that——"
This was no triumphant enemy, but an enemy agonized and pale.
”
Source: Wikisource

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