Harvey J. O'Higgins,
The Rag Doll
(1907)
“ THERE is a modern cast of mind for which no idealized beauty of features—of whatever classical regularity and calm—half the charm that there is in a distressed and imperfect human face, crudely molded by life and suffering. There is a despised “cult of the ugly” which compares the French wax doll of love-in-idleness with any bedraggled rag puppet that has been nursed and fondled by a passionate little make-believer in a gutter—and prefers the latter. And perhaps to such as these, even Judson Street, with its stories of the lives that were lived there, would not be merely low and meaningless. ”
