Anthony Hope

Anthony Hope

Summary

Portrait of Anthony Hope Anthony Hope Sophy of Kravonia (1906)

The days were marked for her no more by the fawning advances or the spiteful insinuations of Pharos than by the heroics of an uneasy emperor or the ingenious experiments in reconciling contradictions wherein his ministers were engaged. For her the days lived or lived not as she met or failed to meet Casimir de Savres. It was the season of her first love. Yet, with all its joy, the shadow of doubt is over it. It seems not perfect; the delight is in receiving, not in giving; his letters to her, full of reminiscences of their meetings and talks, are shaded with doubt and eloquent of insecurity.
Source: Wikisource

Portrait of Anthony Hope Anthony Hope Sophy of Kravonia (1906)

Every Dunstanbury had been a man of sensibility; Lady Meg declared war on emotion—especially on the greatest of all emotions. The Dunstanbury attitude in thought had always been free, even tending to the materialistic; Lady Meg would believe in anything—so long as she couldn't see it. A queer woman, choosing to go to war with the world and infinitely enjoying the gratuitous conflict which she had herself provoked! With half a million pounds and the Duddington blood one can afford these recondite—luxuries and to have a Pindar and a Pikes before whom to exhibit their rare flavor.
Source: Wikisource

Portrait of Anthony Hope Anthony Hope Sophy of Kravonia (1906)

But amateurs of the picturesque, if yet there be such in this business-like world, may care to follow Sophy from Morpingham to Paris, to share her flight from the doomed city, to be with her in the Street of the Fountain, at venerable Praslok, on Volreni's crumbling wall, by the banks of the swift-flowing Krath at dawn of day—to taste something of the spirit that filled, to feel something of the love that moved, the heart of Sophy Grouch of Morpingham, in the county of Essex.
Source: Wikisource

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