Boulevard des Italiens

Definition and stakes

Seeing Europe with Famous Authors…

THE OLD PALACE AND THE LOGGIA [28] BY THÉOPHILE GAUTIER
Every great capital has its eye; at Rome it is the Campo Vaccino; at Paris, the Boulevard des Italiens; at Venice, the Place St. Mark; at Madrid, the Prado; at London, the Strand; at Naples, the Via di Toledo. Rome is more Roman, Paris more Parisian, Venice more Venetian, Madrid more Spanish, London more English, Naples more Neapolitan, in that privileged locality than anywhere else. The eye of Florence is the Place of the Grand Duke—a beautiful eye. In fact, suppress that Place and Florence has no more meaning—it might be another city.
Source: Gutenberg

Portrait of H. Sutherland Edwards H. Sutherland Edwards Old and New Paris: Its History…

THE BOULEVARDS (continued) . The Opéra Comique of Paris—I Gelosi—The Don Juan of Molière—Madame Favart—The Saint-Simonians.
THE Boulevard des Italiens derives its name from the so-called Comédie Italienne, the original Opéra Comique of Paris, which owes its existence to letters patent granted to it as far back as 1676. One of the most celebrated establishments on this boulevard is the Café Cardinal, at the corner of the Rue Richelieu.
Source: Gutenberg

Portrait of David Ross Locke David Ross Locke Nasby in Exile

A gang from the Bowery, filled with the fighting whisky of America, or the soul-searing brandy of the British land, turned loose upon the Boulevard des Italiens, or any other boulevard in Paris, would occasion as much terror as a Communist insurrection. But with the light wines of France, and the quiet pleasure-seeking and pleasure-enjoying disposition of the Parisian, everything is as quiet and orderly as could be desired.
A COSTUME BY WORTH—THAT COSTS.
There cannot be in city life any sight so bewilderingly gorgeous or so delightful as the boulevards, either by day or night.
Source: Gutenberg

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