Charles Fish Howell

Summary

Charles Fish Howell,  Around the clock in Europe (1912)

“ Every hotel and café has its orchestra; and in the early evening practically every square of the city has its concert by a band from a regiment or guild. There is no suburb, they say, but has its own band or orchestra, or both. Indeed, Antwerp is nearly as music-mad as art-mad.
The shady aisles of poplars in the cozy Place Verte, the perfumes and peaceful sounds, the music of the cathedral bells, the homelike hotels and cafés and the drowsy, nodding Old-World house-fronts combine to produce a sense of comfort and satisfaction peculiar to this favored little square.
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Source: Gutenberg

Charles Fish Howell,  Around the clock in Europe (1912)

“ One may, however, if he is interested in slums, pause a moment to look down through the railings of the South Bridge on the screaming peddlers and flaunting shame of bedraggled Cowgate, and behold a district which stands to Edinburgh in the relative position of Rivington Street to New York, or Petticoat Lane to London, or Montmartre to Paris.
The end of the Canongate, a few steps farther on, debouches unexpectedly, and with a sudden unpreparedness for the stranger, on the great open square before Holyrood. There it stands, black and dismal; more like a prison than a palace!
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Source: Gutenberg

Charles Fish Howell,  Around the clock in Europe (1912)

“ Like the Archangel Michael on the Castle of Sant’ Angelo, the sun, too, begins to sheathe his sword, and its glitter throws a warm mantle over the shoulders of the marble angels on the bridge. Most conspicuously, as is proper, it lingers on the pale dome of St. Peter’s, touches into life the sculptured saints of the portico, and floods obelisk, fountains, and all that vast elliptical piazza toward which are extended the sheltering arms of Bernini’s colonnade. How fair, beneath that roof, are the dazzling marbles, shining tombs, sculptured effigies, and glowing mosaics! ”
Source: Gutenberg

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