John Guy Vassar

Summary

John Guy Vassar Twenty years around the world (1861)

Another six hours by mail coach, and we were on the summit of the mountain, descending to Trieste, with the beautiful placid waters of the Adriatic before us, the blue sky and an Italian sunset above us, the almond trees in bloom, and the city lying at our feet, with its hundred thousand inhabitants, and the flags from the ships, of all nations, waving in the mild and gentle breeze. The sight of the sea is refreshing after so long an absence, and on this occasion the elements conspired to make it particularly striking.
Source: Gutenberg

John Guy Vassar Twenty years around the world (1861)

The great variety of forms presented is really enchanting. One imagines himself for the moment in the illuminated chapel of a Gothic cathedral, with pillars supporting the roof, the half-formed pointed column rising gradually by crystallization, resembling with its lamp a huge church candlestick; the flowing white drapery falls upon the tomb of the departed, and the weeping willow is seen with its drooping branches. Forms the most grotesque are presented to the imagination. The stalactites are as white as alabaster; one could visit the cave without soiling his white kid gloves.
Source: Gutenberg

John Guy Vassar Twenty years around the world (1861)

This immense edifice has two towers with spires of open stonework, which in the distance appear as light as lace-work, and one wonders how it can endure this blustering climate. The chapels are as large as some churches, and filled with tombs of sculptured marble and stained glass. The white stone of some of the interior walls and buttresses inclosing the choir represents in sculpture the life of Christ, his agony, the supporting of the cross, the crucifixion and ascension; the building, like other edifices of the kind in Spain, is a perfect museum of art, pictures, statuary, and carved wood.
Source: Gutenberg

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