Anthony Hope

Anthony Hope

Summary

Portrait of Anthony Hope Anthony Hope The Vigil of Count Amadeo (1896)

She seemed still alone, save for the picture, and that she saw but faintly, for the moonbeams did not shine full on it; nay, she found them full on her face as she stood just beyond the arch on the left side of the altar. Half in fright at her solitude, half in admiration of the shrine's beauty, she cast her eyes round it, and suddenly became aware of the figure of a man, who knelt before the altar, his face buried in his hands.
A tremor ran through her, and she leant against the pillar of the arch; for she knew that the man was Count Amadeo, and that she was alone with him.
Source: Wikisource

Portrait of Anthony Hope Anthony Hope The Vigil of Count Amadeo (1896)

But Jacinta in alarm drew away, and hid herself from him, and he, beholding her no more, fell prone on the floor of the chapel, and lay there as though he had swooned.
Alas that envy should find a place beside youth and beauty! Yet it is hard for proud ladies to endure that a waiting maid should be hailed as an angel from Heaven, and they declared to be demons from Hell. Great and hot was the wrath of the Princess of Mantivoglia's ladies when they found in Jacinta, the maid of Beatrice, her who had borne off from them the victory, and thus marvellously overcome the constancy of Count Amadeo.
Source: Wikisource

Portrait of Anthony Hope Anthony Hope The Vigil of Count Amadeo (1896)

And when at last she spoke, her voice was so low that Amadeo was constrained to draw nearer to her, that he might hear her words; but she in timidity shrank back, and, since he pursued, they passed thus together into the shadow of the arch.
"Now, on my faith," cried Vittorio of Mantivoglia, "piety is good, and devotion is good, but it is not good that a man should forsake his guests, fair ladies and honest gentlemen, and spend alone on his knees the time that he should give to their society and entertainment. This is not well in my lord Amadeo."
Source: Wikisource

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