Anton Chekhov

Anton Chekhov

Summary

Portrait of Anton Chekhov Anton Chekhov,  On the Road

“ Ilovaisky got up slowly, took a step towards Liharev, and fixed her eyes upon his face. From the tears that glittered on his eyelashes, from his quivering, passionate voice, from the flush on his cheeks, it was clear to her that women were not a chance, not a simple subject of conversation. They were the object of his new enthusiasm, or, as he said himself, his new faith! For the first time in her life she saw a man carried away, fervently believing. ”
Source: Wikisource

Portrait of Anton Chekhov Anton Chekhov,  On the Road

“ The darkness, the chime of the bells, the roar of the storm, the lame boy, Sasha with her fretfulness, unhappy Liharev and his sayings--all this was mingled together, and seemed to grow into one huge impression, and God's world seemed to her fantastic, full of marvels and magical forces. All that she had heard was ringing in her ears, and human life presented itself to her as a beautiful poetic fairy-tale without an end. ”
Source: Wikisource

Portrait of Anton Chekhov Anton Chekhov,  On the Road

“ An end of tallow candle, stuck into an old pomatum pot, lighted up his light brown beard, his thick, broad nose, his sunburnt cheeks, and the thick, black eyebrows overhanging his closed eyes. . . . The nose and the cheeks and the eyebrows, all the features, each taken separately, were coarse and heavy, like the furniture and the stove in the "travellers' room," but taken all together they gave the effect of something harmonious and even beautiful. Such is the lucky star, as it is called, of the Russian face: the coarser and harsher its features the softer and more good-natured it looks. ”
Source: Wikisource

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