Aristotle

Aristotle

Summary

Portrait of Aristotle Aristotle On the Vital Principle (1855)

If a voice of any kind is harmony, and if voice and hearing are, in one sense, the same, and, in another sense, not the same, then, as harmony is proportion, it follows that hearing must be proportion also. And hence it comes that every sound in excess, whether acute or grave, perverts the hearing, as every savour in excess does the taste; and every colour over-bright or dark dulls the sight, as every odour excessively pungent, whether grateful or offensive, does the smell, as if shewing that sensibility is a kind of proportion.
Source: Wikisource

Portrait of Aristotle Aristotle On the Vital Principle (1855)

Kinds of savour are, like shades of colour, simple when in broad contrast—as the sweet and bitter with their sequences, of the former the oily and of the latter the brackish; and intermediate to these are the pungent, rough, astringent, and sour, which seem to include almost all the varieties of savour.
In fine, the sapid sense, when in potentiality, is such as is the sapid object; and the sapid object, when in reality, is productive, in the sense, of its own savour.
Source: Wikisource

Portrait of Aristotle Aristotle On the Vital Principle (1855)

Is life in one, or more than one, or in all the parts, or is there some other cause for life than the Vital Principle?
Some writers maintain that Vital Principle is divisible, and that by one part it thinks, and by another feels desire; but what then, if it be naturally divisible, holds its parts together? Not the body certainly, we answer; for the Vital Principle, on the contrary, appears to hold it together, as from the moment of its departure the body expires and decays. If there be a something which makes it one, that something is, in the strictest sense, Vital Principle
Source: Wikisource

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