Arthur P. Purey-Cust

Summary

Arthur P. Purey-Cust York Minster

Some of the windows, indeed, are almost, if not altogether, perfect. The east window has been patched with pieces of crude coloured glass, but only as repairs, possibly after the great fire in 1829, otherwise it must be very much as put up by [Pg 54] John Thornton, 1405; and in its nine lights divided into six tiers, it contains two hundred panels of groups of figures, the two upper tiers being subjects from the creation of the world to the death of Jacob, the remainder from the book of Revelation. The tracery lights of the east window of the north aisle seem to me altogether untouched.
Source: Gutenberg

Arthur P. Purey-Cust York Minster

Thomas à Becket, his successor as Archdeacon of Canterbury, had also advanced to the dignity of the archiepiscopate, but he had fallen a victim to his zeal for the Church spiritual, and his martyrdom and canonisation had entailed a shrine in the Cathedral which was eliciting from innumerable pilgrims munificent offerings for the fabric of the church. [Pg 29] If York were to compete with Canterbury it was necessary that here, too, a shrine of some popular saint should attract the presence of the devout, and appeal to their munificence and liberality.
Source: Gutenberg

Arthur P. Purey-Cust York Minster

Bishop of Durham here in the presence of the king. At the foot of the window the figures of his brothers, gallant knights in those days, bearing their shields above their heads, may be still traced on close examination. Splendid figures of St. Lawrence, St. Christopher, and another fill the lights of the next window. The glass in all the windows is good and probably coeval with the building, though much of the tracery glass is modern and bad, the work of William Peckett, a glass painter of some local repute, who, at the close of the last century, undertook to restore the glass of the Minster.
Source: Gutenberg

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