Arthur Sherburne Hardy

Arthur Sherburne Hardy

Isaac (1912)

Summary

Portrait of Arthur Sherburne Hardy Arthur Sherburne Hardy,  Isaac (1912)

“ Every one who has lived in the woods knows how swiftly Nature's tragic forces gather at the rendezvous. A few minutes late in entering a carry, and a plain trail is changed to a hopeless maze of stumps, briers, and swamp, through which one flounders in Plutonian darkness. A puff of wind leaps from the top of the cliff, and the leach of the mainsail is under water. Who would have suspected that in Maggie, singing to herself as she kneaded the dough for the morrow's baking, the human forces which make for tragedy were slumbering as the forces slumber in the coils of the spring? ”
Source: Wikisource

Portrait of Arthur Sherburne Hardy Arthur Sherburne Hardy,  Isaac (1912)

“ She is a good fisherwoman, a fair shot, and a splendid companion. Now, however good a thing a woman in the woods may be, it's not the same thing as going in alone; and one of the first questions growing out of the difference was the question of a cook. I had always taken in a guide to act in that capacity, but I was doubtful whether a guide would measure up to my wife's standard. So we engaged Maggie from some one who "knew all about her." How does any one dare to say he knows all about any one else! ”
Source: Wikisource

Portrait of Arthur Sherburne Hardy Arthur Sherburne Hardy,  Isaac (1912)

“ It was Maggie who spoke first.
"Children! My sister Annie was the prettiest girl in the village. She had cheeks like pinks and eyes like those stars up there. She stepped like a deer. Just to hear her laugh made you light-hearted. She doesn't sing now. Her cheek's yellow and hollow, and her eyes have sunk back in her head. Two children hanging onto her skirts and the baby in her arms, she just drags one foot after the other. You pays for children, and you pays high."
"But it's sweet to bring life into the world," said Mary.
”
Source: Wikisource

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