Summary

Portrait of B. L. Farjeon B. L. Farjeon The House of the White Shadows

The Advocate removed his eyes, with a shudder, from the eyes of the wretch who had made this horrible confession, and who now sank to the ground, quivering in every limb, crying:
"Save me, master, save me!"
"Monster!" exclaimed the Advocate. "Live and die accursed!"
But the terror-stricken man did not hear the words, and the Advocate, upon whose features, during Gautran's narration, a deep gloom had settled, strode swiftly from him through the peaceful narrow lane, fragrant with the perfume of limes, at the end of which the lights in the House of White Shadows were shining a welcome to him.
Source: Gutenberg

Portrait of B. L. Farjeon B. L. Farjeon The House of the White Shadows

You and he are no longer on an equality. He is a man informed, you remain in ignorance. He has dissected the body, and all the arteries of the crime are exposed to his sight and judgment. You merely raise up a picture--a dark night, a river, a girl vainly struggling with her fate, a murderer (with veiled face) flying from the spot, or looking with brutal calmness upon his victim. That is the entire extent of your knowledge. You seize a brush--you throw light upon the darkness--you paint the river and the girl--you paint the portrait of the murderer, Gautran. All is clear to you.
Source: Gutenberg

Portrait of B. L. Farjeon B. L. Farjeon The House of the White Shadows

And Dionetta, the pretty maid, also slept, with her hands clasped at the back of her head; and her lady was saying to her: "Really and truly, Dionetta, you have not a lover? Women are made for love. It is the only thing in life worth living for." And a blush, even in her sleep, stole over her fair face and bosom. For her dream was of love.
And Pierre Lamont lived over again the days of his youth, and smirked and languished, and made fine speeches, and moved amidst a paradise of fair faces, all of which bore the likeness of one whom he had but just seen for the first time.
Source: Gutenberg

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