Summary

Bernard Capes,  Bag and Baggage — "Beneath Dark Wings" (1913)

“ For an instant he was almost impelled, in a rush of emotion, to leap and grip the little fairy figure in his arms; to lavish upon it the heat of passion which he felt to be its due; to kiss the honest eyes, and breathe into the pink ears the tale of his penitence, of his remorse, and of his assurance that he valued Dolly for herself, and not merely because her youth and beauty were at once a salve to his wounds and an inspiration to his art. But the moment passed, and for ever.
"Well, Laurence," she said; "here we are. Are you going to ring up the curtain at last?
”
Source: Wikisource

Bernard Capes,  Bag and Baggage — "Beneath Dark Wings" (1913)

“ It was the pond that held and fascinated him—the 'composition' to be wrought out of that lifeless material, as a sculptor hews form out of marble. If he could realise the dream of fast-locked silence it evoked—the grave, the mausoleum of buried water! The surrounding woods and thickets offered enough contributory colour to suit his new-born purpose. For the foreground a blackened sluice, controlling some subterranean rivulet, stood up in effective position. A convenient log presented itself hard by. Derrick seated himself on it, and was quickly at work, oblivious of everything but his subject. ”
Source: Wikisource

Bernard Capes,  Bag and Baggage — "Beneath Dark Wings" (1913)

“ Day after day I entered upon my silent task there, and for so many in succession that the weather changed and rechanged while I wrought—from frost to thaw, from cloud to sunshine and again to chill—and I was able to realise its solitude under innumerable aspects. The place was of no extravagant extent; but such as it was it was an epitome of all loneliness and isolation. Its voices were the voices of a primeval freedom; no act of man came to alarm their age-long security; the wild-fowl winged, the rabbits loped in unhurrying, half-inquisitive fashion from any chance disturbance. ”
Source: Wikisource

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