Bernard Capes

Summary

Bernard Capes Bag and Baggage — Camilla (1913)

That night he was more like a wild animal than an orthodox divine. The one evil spirit was replaced by the seven, and he knew himself for what he was, a soul rent and demented by jealousy. Yes, jealousy—jealousy of the gross ungainly creature, who had come to illustrate in himself the penchant of the softer sex—the softer sex!—for grotesqueness and abnormality. A witty tongue, a flattering imagination had counted with Camilla above all the claims of moral excellence.
Source: Wikisource

Bernard Capes Bag and Baggage — Camilla (1913)

Dogmatism is arrogance; it is Humility that can hold all good human faiths in her arms. Spurling's passion, like his belief, was dogmatic. Its narrow self-sufficiency could conceive no legitimate worship but its own. He loved in the one right way, and his love was not to be questioned or its way disputed. His passion, being controverted, could have burnt this obstinate heretic in its own fierce miserable fires. Condemned to feed upon itself, it waxed gross, abnormal. From the morning of his interview with Camilla he never knew a happy moment.
Source: Wikisource

Bernard Capes Bag and Baggage — Camilla (1913)

Spurling was announced. The girl, white, large-eyed, came down in her black frock to greet him in the little parlour. He faced her with the orthodox expression of commiseration, but strangely penetrated by some subtler emotion.
"You are comforted, resigned to the Eternal Will?" he asked her.
"I shall never be resigned to my mother's loss," she answered low.
"God," he said, "may even constitute that your gain." His eyes burned upon her; his lips were dry; but he put force upon himself to control his passion—for it amounted to no less.
Source: Wikisource

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