Sheridan Le Fanu

Sheridan Le Fanu

Summary

Portrait of Sheridan Le Fanu Sheridan Le Fanu The Vision of Tom Chuff (1870)

He looked round. There was not a sign of a living creature near. And he began with a sense of awe to recognise the place.
The tree against which he had been leaning was one of the noble old beeches that surround at irregular intervals the churchyard of Shackleton, which spreads its green and wavy lap on the edge of the Moor of Catstean, at the opposite side of which stands the rude cottage in which he had just lost consciousness. It was six miles or more across the moor to his habitation, and the black expanse lay before him, disappearing dismally in the darkness.
Source: Wikisource

Portrait of Sheridan Le Fanu Sheridan Le Fanu The Vision of Tom Chuff (1870)

About a yard away, in rear of the tree, behind himself, and extending to his left, was an open grave, the mould and rubbish piled on the other side. At the head of this grave stood the beech-tree; its columnar stem rose like a huge monumental pillar. He knew every line and crease on its smooth surface. The initial letters of his own name, cut in its bark long ago, had spread out and wrinkled like the grotesque capitals of a fanciful engraver, and now with a sinister significance overlooked the open grave, as if answering his mental question, "Who for is t' grave cut?"
Source: Wikisource

Portrait of Sheridan Le Fanu Sheridan Le Fanu The Vision of Tom Chuff (1870)

And now from sheer terror of a new kind the children added their shrilly piping to the talk and cries of their seniors; and if anything could have called Tom up from his lethargy, it might have been the piercing chorus that made the rude chamber of the poacher's habitation ring again. But Tom continued unmoved, deaf, and stirless.
His wife sent Mary down to the village, hardly a quarter of a mile away, to implore of the doctor, for whose family she did duty as laundress, to come down and look at her husband, who seemed to be dying.
Source: Wikisource

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