Blanche Edith Baughan

Blanche Edith Baughan

Summary

Portrait of Blanche Edith Baughan Blanche Edith Baughan Brown Bread from a Colonial Oven… (1912)

Is it so beautiful a thing to condemn where we do not understand? Who knows what stress—of grief, or guilt it may be, of love denied, ambition thwarted, loss sustained (pain of some sort certainly it must have been, to teach your soul such passionate expression) —had driven you to exile and the old kitchen? Who can tell from what sad seed, and planted by what tragic agency, may have sprung that thicket of impenetrable pride that walled you from your fellows as the pine-trees wall the farm?
Source: Wikisource

Portrait of Blanche Edith Baughan Blanche Edith Baughan Brown Bread from a Colonial Oven… (1912)

Within its homely boundary, vast forces impalpably contended; worlds invisible were born; the secrets of the soul declared themselves, and bodiless longings, formless consolations, pulsed and thrilled. Plaintively, imperatively or with despair, the old kitchen re-echoed now the everlasting questions to which there comes never any answer; and all the while was glorious as a chosen home of the undeniable, divine fact—Beauty!
The tears come still into Mrs. Callender’s eyes when she speaks of Miss Kirkcaldie’s music.
Source: Wikisource

Portrait of Blanche Edith Baughan Blanche Edith Baughan Brown Bread from a Colonial Oven… (1912)

THE OLD KITCHEN
Out towards the tip of a certain bare, seaward-stretching promontory, there stands a thick, dark tuft of pines, and within the pines an old farm, painted white. Years and years ago, when Kiteroa, the scattered settlement inland, was still green virgin Bush, a young man planted the pines, which a very little child could then have jumped over, set up a wharé in their midst, and brought home his bride. The wind blew furiously across those open slopes upon the adventurous plantation, the driven rains beat on and through the wharé weatherboards, as yet so unprotected.
Source: Wikisource

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