Summary

Portrait of Margaret Pedler Margaret Pedler The Moon Out of Reach (Ainslee's serial… (1922)

She had not realized how much propinquity adds fuel to love's fire. Unknown even to himself Roger's passion had been gradually rising toward flood tide. Man being by nature a contradictory animal, the attitude assumed by his mother and cousin toward the woman who was to be his wife had seemed to fan rather than smother the flame.
All at once the curb had snapped. He wanted Nan, the same Nan with whom he had fallen in love—the inconsequent, feminine thing of elusive frocks and absurd, delicious faults and weaknesses—rather than a Nan molded into shape by Lady Gertrude's iron hand.
Source: Wikisource

Portrait of Margaret Pedler Margaret Pedler The Moon Out of Reach (Ainslee's serial… (1922)

John began slowly.
Nan lifted her head.
“Why did I promise Roger?” she broke in. “Because it seemed the only way. I—I was afraid! And then there was Penelope and Ralph. Oh, it was a ghastly mistake. I know now. But—but there's Roger. He cares.”
“Yes. There's Roger,” he said gravely. “And you've given him your word. You can't draw back now.” There was a note of sternness in the old man's voice—the sternness of a man who has a high creed of honor and who has always lived up to it, no matter what it cost. “Remember, Nan, no Davenant was ever a coward in the face of difficulties.
Source: Wikisource

Portrait of Margaret Pedler Margaret Pedler The Moon Out of Reach (Ainslee's serial… (1922)

Presently St. John spoke again.
“I've nothing to complain about. I've known love and I've known friendship, the two biggest things in life. And, after all, since—since she went, I've only been waiting. The world, without her, has never been quite the same.”
“I know,” she whispered.
“You Davenant women,” he went on more lightly, “are never loved and forgotten.”
“And we don't love—and forget,” said Nan in a low voice.
St. John looked at her with eyes that held a very tender comprehension.
“Tell me, Nan, was it—Peter Mallory?”
Source: Wikisource

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