Brander Matthews

Brander Matthews

Summary

Portrait of Brander Matthews Brander Matthews,  H. C. Bunner (1896)

“ Bunner had discovered for himself the truth of Lowell's assertion that "however needful it may be to go abroad for the study of æsthetics, a man may find here also pretty bits of what may be called the social picturesque, and little landscapes over which the Indian summer atmosphere of the past broods as sweetly and tenderly as over a Roman ruin." Noisy and restless as New York is, and blatant as it may seem to some, those who have eyes and a willingness to see, can collect specimens not only of the social picturesque, but of the physical picturesque also. ”
Source: Wikisource

Portrait of Brander Matthews Brander Matthews,  H. C. Bunner (1896)

“ Perhaps the salient characteristics of these two brief novels are the unforced pathos the author could command at will, his sympathy with the loser in the wager of life, and his sentiment which never sickened into sentimentality. Perhaps their chief merit, in the eyes of many, was that they were novels of New York, the result of a long and loving study of this great town of ours.
It was one of Bunner's prejudices—and he was far too human to be without many of them—that New York is one of the most interesting places in the world. He enjoyed its powerful movement, its magnificent vitality.
”
Source: Wikisource

Portrait of Brander Matthews Brander Matthews,  H. C. Bunner (1896)

“ When the late Guy de Maupassant (who was like Boccaccio in more ways than one) suddenly revealed his marvellous mastery of the craft of story-telling, Bunner became his disciple for awhile; and even thought to apply the Frenchman's methods to American subjects, the result being the very amusing volume called "Short Sixes." But so thoroughly had Bunner transmuted Maupassant's formulas, that he would need to be a preternaturally keen-eyed critic who could detect in this volume any sign of the American's indebtedness to his French contemporary. ”
Source: Wikisource

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