Chandler Rathfon Post

Chandler Rathfon Post

Summary

Portrait of Chandler Rathfon Post Chandler Rathfon Post,  The Harvard Classics Vol. 51 (1914)

“ I have spoken of Benvenuto as a superman, and herein, too, he is a result of the astounding development of the individual witnessed by the Renaissance. In his versatility he is second only to such giants of universal talent as Leon Battista Alberti, Leonardo da Vinci, and Michelangelo. He excels equally as musician, goldsmith, and sculptor; he is an adept with the sword and with the musket; his skill as a diplomatist is paralleled only by his merriness as a jester; a languishing lover one day, he is a fierce murderer the next ”
Source: Wikisource

Portrait of Chandler Rathfon Post Chandler Rathfon Post,  The Harvard Classics Vol. 51 (1914)

“ Autobiography, however, is an even more pronounced manifestation of individualism, and as the composer of the first great and definite example of this literary form in modern times, Benvenuto stands forth as a brilliant exponent of his age. It is possible, doubtless, for an author to exhibit in an autobiography little of his own individuality, confining himself largely, like Trollope, to a narrative of events and a discussion of his books; but such was not the spirit of the sixteenth century, and Benvenuto even exceeds his time. He strips to the very soul. ”
Source: Wikisource

Portrait of Chandler Rathfon Post Chandler Rathfon Post,  The Harvard Classics Vol. 51 (1914)

“ The ethical condition of Italy had still remained fairly sound in the fifteenth century, and it was not until now in the sixteenth that a debased humanism and individualism were developed to the bitter end with an effect that was baneful, but not so entirely fatal as is very commonly supposed. Almost every page of the "Autobiography," however, betrays the absence of any adequate moral standard. Cellini fathers an illegitimate child or cuts down an enemy as lightly as he sallies forth on a hunting expedition. There is little or no realization of sin ”
Source: Wikisource

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