Summary

Manuela Pallotto Strickland Under a Starry Vault. Warburg, Jung and the Renaissance of Ancient Paganisms at the Beginning of… (2015)

They make us speak the voices of the dead as if they were our own, our mouths resonating chambers for their tales of love, fear, confusion and injustice [21] .
Wotan and Dionysus were summoned by Jung and Warburg to show the haunting and imperative force of archetypes and ancient images, which eternally oblige us to recall, to dream over and over the same dreams, to imagine over and over the same images. Thus, they made us become the dreams, become the images; they made us dream dreams that dream us, imagine images that imagine us.
Source: Wikisource

Manuela Pallotto Strickland Under a Starry Vault. Warburg, Jung and the Renaissance of Ancient Paganisms at the Beginning of… (2015)

He looked at the resurgence of paganism as an authentically creative phenomenon, to endorse with enthusiasm, even when the new pagan mysteries of the Century were already being orchestrated like ritualistic mass phenomena by officials with high boots and a red-and-black swastika, pinned on a sleeve. Warburg, although he too was captivated by the primitive and exotic energy of paganism, instead looked with concern at the terrible power concealed by the maenad behind the sensuous appeal of the young nympha.
Source: Wikisource

Manuela Pallotto Strickland Under a Starry Vault. Warburg, Jung and the Renaissance of Ancient Paganisms at the Beginning of… (2015)

Thus, although they both shared concerns about the dangers of an all-too-secularized modernity and looked with fascination at the pagan and primitive cultural and spiritual dispositions, little family resemblance can be found between Wotan, Jung’s restless wandering god, and the modern maenad, the modern follower of Dionysus, the running maiden who Warburg saw moving swiftly like a light and graceful breeze among the stanze and the gardens of the early Renaissance cities, or playing golf in a smart sporty dress.
Source: Wikisource

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