Charles Beadle

NQO (1917)

Summary

Charles Beadle,  NQO (1917)

“ From the maze of the official reception and the Governor's dinner party stalked Native Bob in white duck, an unaccustomed sword at his hip, haggard and sallow, with absent listening eyes; to luncheon, dinner and the race course, pursued by the blue-eyed cheetah, haunted by the terror of the impulses that writhed within him. From women white and clothed he fled to sit upon the club verandah as long as any man was there, clinging with desperate hands, drinking hard to drown the terrible sound of drums by night, fearful of the lonely bungalow policed by white taboo. ”
Source: Wikisource

Charles Beadle,  NQO (1917)

“ England became a land of chilly mists in which many of his kind had been doomed by a fever-ruined health to dawdle out their lives among an alien folk, tormented by vain dreams of the sudorific glory that was theirs. Native Bob lost all desire to see his own people; for his tongue was stiffened to English words, his eyes were haunted by vast spaces and his ears by the throb of drums in the shrill silence; that hypnotic throb which rouses unconscious resistance to the civilized inhibitions—a conflict expressed by the white man in, "Oh, damn those drums!" ”
Source: Wikisource

Charles Beadle,  NQO (1917)

“ Through the mask of Ufumbula's official face as he rigidly escorted Native Bob about the social paths there gleamed an impelling invitation, prompting the impulse to cry, "Oh, my friend, let us go," to flee away over the shimmering horizon to the places of shrill silence; and at times the brown eyes rested upon the slim white girl, and then upon the white man, conveying an autocratic message, which Native Bob would desire to obey and yet deny. ”
Source: Wikisource

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