Charles Dudley Warner

Charles Dudley Warner

Summary

Portrait of Charles Dudley Warner Charles Dudley Warner On Horseback

Round the corner is a farmhouse and place of call for visitors, a neat cottage, with a display of shells and minerals and flower-pots; and here we turned north crossed the little stream called Paint River, the only clear water we had seen in a month, passed into the State of Tennessee, and by a gentle ascent climbed Paint Mountain. The open forest road, with the murmur of the stream below, was delightfully exhilarating, and as we rose the prospect opened,—the lovely valley below, Bald Mountains behind us, and the Butt Mountains rising as we came over the ridge.
Source: Gutenberg

Portrait of Charles Dudley Warner Charles Dudley Warner On Horseback

Long after we had all gone to bed, we heard Big Tom's continuous voice, through the thin partition that separated us from the kitchen, going on to his little boy about the bear; every circumstance of how he tracked him, and what corner of the field he entered, and where he went out, and his probable size and age, and the prospect of his coming again; these were the details of real everyday life, and worthy to be dwelt on by the hour. The boy was never tired of pursuing them. And Big Tom was just a big boy, also, in his delight in it all.
Source: Gutenberg

Portrait of Charles Dudley Warner Charles Dudley Warner On Horseback

From the steep slope below came the mingled sounds of children shouting, cattle driven home, and all that hum of life that marks a thickly peopled region preparing for the night. It was the leisure hour of an August afternoon, and Asheville was in all its watering-place gayety, as we reined up at the Swannanoa hotel. A band was playing on the balcony. We had reached ice-water, barbers, waiters, civilization.
Source: Gutenberg

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