Clarice Irene Clinghan

Summary

Clarice Irene Clinghan ''The Black Cat'' (1896)

I know only that all my bitterness towards my wife, all my dislike for her, in one revulsion of mind changed to the most passionate admiration and affection from the instant her lips touched mine. Dazed, astonished, I could not find voice to speak, but Leila chatted quite naturally as she led me to a big armchair on one side of the fireplace, while she threw herself on a low divan piled with cushions on the other side, putting out a slim little yellow-slippered foot to the blaze.
Source: Wikisource

Clarice Irene Clinghan ''The Black Cat'' (1896)

As you know, the drawing-room in this house is connected with the front ball by an arch, hung with portières. These were drawn. Pushing them aside, I entered, and suddenly found myself in the warm glow of a big wood fire which had been lighted in the fireplace. This crackling, cheery blaze and the waning light of the October day were all that lighted the room. There in the center she stood, clad in an exquisite gown of palest yellow, and, as I moved towards her, I saw two hands, instead of one, outstretched.
Source: Wikisource

Clarice Irene Clinghan ''The Black Cat'' (1896)

One day, having returned from the city on an earlier train than I had anticipated, I went to Leila's room and found her lying on a couch, fast asleep, her hands clasped behind her head, and one slippered foot crossed over the other—in fact, the posture in which Du Maurier's famous Duchess was wont to 'dream true.' Knowing she was a sound sleeper it occurred to me to softly kiss the little brown mole to which I have just referred—something I had not thought of since the days of our first short honeymoon so long ago.
Source: Wikisource

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