Summary

Portrait of Edith Wharton Edith Wharton The Custom of the Country — Chapter XLVI (1913)

From these rooms Paul wandered downstairs again. The library attracted him most: there were rows and rows of books, bound in dim browns and golds, and old faded reds as rich as velvet: they all looked as if they might have had stories in them as splendid as their bindings. But the bookcases were closed with gilt trellising, and when Paul reached up to open one, a servant told him that Mr. Moffatt's secretary kept them locked because the books were too valuable to be taken down. This seemed to make the library as strange as the rest of the house, and he passed on to the ballroom at the back.
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Portrait of Edith Wharton Edith Wharton The Custom of the Country — Chapter XLVI (1913)

Mrs. Heeny had said, discerning the reluctance under his civil greeting, "I guess you're as strange here as I am, and we're both pretty strange to each other. You just go and look round, and see what a lovely home your Ma's got to live in; and when you get tired of that, come up here to me and I'll give you a look at my clippings."
The word woke a train of dormant associations, and Paul saw himself seated on a dingy carpet, between two familiar taciturn old presences, while he rummaged in the depths of a bag stuffed with strips of newspaper.
Source: Wikisource

Portrait of Edith Wharton Edith Wharton The Custom of the Country — Chapter XLVI (1913)

Mr. Moffatt continued, getting to his feet. He stood looking down at the boy with a queer smile. "If we two chaps stick together it won't be so bad--we can keep each other warm, don't you see? I like you first rate, you know; when you're big enough I mean to put you in my business. And it looks as if one of these days you'd be the richest boy in America...."
The lamps were lit, the vases full of flowers, the foot-men assembled on the landing and in the vestibule below, when Undine descended to the drawing-room. As she passed the ballroom door she glanced in approvingly at the tapestries.
Source: Wikisource

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