Clark Ashton Smith

Clark Ashton Smith

Summary

Portrait of Clark Ashton Smith Clark Ashton Smith Necromancy in Naat (1936)

Dimly, from the depths of oblivion, Yadar beheld the flaring of remote lights, and heard the chanting of a far voice. It seemed that he swam upward from black seas toward the voice and the lights, and he saw as if through a thin, watery film the face of Uldulla standing above him, and the fuming of strange vessels in the chamber of Vacharn. And it seemed that Uldulla said to him: 'Arise from death, and be obedient in all things to me the master.'
So, in answer to the unholy rites and incantations of necromancy, Yadar arose to such life as was possible for a resurrected lich.
Source: Wikisource

Portrait of Clark Ashton Smith Clark Ashton Smith Necromancy in Naat (1936)

To Yadar, it was as if he too stood and moved like the living dead in a dark, hollow, half-conscious dream. Walking beside Dalili, and followed by those others, he was led by the enchanters through a dim ravine that wound secretly toward the uplands of Naat. In his heart there was small joy at the finding of Dalili; and his love was companioned with a sick despair.
Vacharn lit the way with a brand of driftwood plucked from the fire. Anon a bloated moon rose red as with sanies-mingled blood, over the wild, racing sea
Source: Wikisource

Portrait of Clark Ashton Smith Clark Ashton Smith Necromancy in Naat (1936)

One day, toward sunset-time, as the month drew to its end, Vokal and Uldulla approached the prince where he stood waiting on a rock-walled beach while Dalili dived far out in the torrent waters. Speaking no word, they beckoned to him with furtive signs; and Yadar, vaguely curious as to their intent, suffered them to lead him from the beach and by perilous paths that wound from crag to crag above the curving sea-shore.
Source: Wikisource

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