Summary

Portrait of Daniel Defoe Daniel Defoe Roxana, The Fortunate Mistress…

The company were under the greatest surprise imaginable, the very music stopped awhile to gaze; for the dress was indeed exceedingly surprising, perfectly new, very agreeable, and wonderful rich.
The gentleman, whoever he was, for I never knew, led me only a courant, and then asked me if I had a mind to dance an antic, that is to say, whether I would dance the antic as they had danced in masquerade, or anything by myself. I told him anything else rather, if he pleased; so we danced only two French dances, and he led me to the drawing-room door, when he retired to the rest of the masks.
Source: Wikisource

Portrait of Daniel Defoe Daniel Defoe Roxana, The Fortunate Mistress…

At the finishing the dance the company clapped and almost shouted; and one of the gentlemen cried out, Roxana! Roxana! by ——, with an oath, upon which foolish accident I had the name of Roxana presently fixed upon me all over the Court end of town as effectually as if I had been christened Roxana. I had, it seems, the felicity of pleasing everybody that night to an extreme, and my ball, but especially my dress, was the chat of the town for that week, and so the name Roxana was the toast at and about the Court; no other health was to be named with it.
Source: Wikisource

Portrait of Daniel Defoe Daniel Defoe Roxana, The Fortunate Mistress…

Their slaves were bareheaded, but their long black hair was braided in locks hanging down behind to their waists, and tied up with ribbons; they were dressed exceedingly rich, and were as beautiful as their mistresses, for none of them had any masks on. They waited in my room till I came down, and all paid their respects to me after the Persian manner, and sat down on a safra, that is to say, almost cross-legged on a couch made up of cushions laid on the ground.
Source: Wikisource

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