Dashiell Hammett

Dashiell Hammett

Summary

Portrait of Dashiell Hammett Dashiell Hammett Crooked Souls (1923)

I carry a lot of weight these days, but I can still step a block or two in good time. Along both sides of the alley were the rears of apartment buildings, each with its back door looking blankly, secretively at me.
The plainclothes man who had been trailing behind me came up, then O’Gar and Thode in their machines, and soon, Lusk. O’Gar and Thode rode off immediately to wind through the neighboring streets, hunting for the woman. Lusk and the plainclothes man each planted himself on a corner from which two of the streets enclosing the block could be watched.
Source: Wikisource

Portrait of Dashiell Hammett Dashiell Hammett Crooked Souls (1923)

Gatewood’s voice was thick and blurred—I could imagine the boiling that was going on inside him.
“Good!” came the brisk voice. “Put a piece of paper around it, and leave the house with it, right away! Walk down Clay street, keeping on the same side as your house. Don’t walk too fast and keep walking. If everything’s all right, and there’s no elbows tagging along, somebody’ll come up to you between your house and the water-front. They’ll have a handkerchief up to their face for a second, and then they’ll let it fall to the ground.
Source: Wikisource

Portrait of Dashiell Hammett Dashiell Hammett Crooked Souls (1923)

I caught a street-car and dropped off down in the shopping district. I visited the five largest department stores, going to all the women’s wear departments from shoes to hats, and trying to learn if a man—perhaps one answering Leighton’s description—had been buying clothes that would fit Audrey Gatewood within the past couple days.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature