Summary

Portrait of P. G. Wodehouse P. G. Wodehouse The Man Upstairs and Other Stories… (1914)

Routine is death to heroism. For the first few days after his parting with Mr Sheppherd, Owen was in heroic mood, full of vaguely dashing schemes, regarding the world as his oyster, and burning to get at it, sword in hand. But routine, with its ledgers and its copying-ink and its customers, fell like a grey cloud athwart his horizon, blotting out rainbow visions of sudden wealth, dramatically won. Day by day the glow faded and hopelessness grew.
If the glow did not entirely fade it was due to Audrey, who more than fulfilled her promise of ringing him up on the telephone.
Source: Wikisource

Portrait of P. G. Wodehouse P. G. Wodehouse The Man Upstairs and Other Stories… (1914)

Owen, disapproving of the whole business, refused to buy a programme, and settled himself in his seat prepared for the worst. He had a vivid recollection of White Roses, the novel, and he did not anticipate any keen enjoyment from it in its dramatized form. He had long ceased to be a member of that large public for which Miss Edith Butler catered. The sentimental adventures of governesses in ducal houses—the heroine of White Roses was a governess—no longer contented his soul.
There is always a curiously dream-like atmosphere about a play founded on a book.
Source: Wikisource

Portrait of P. G. Wodehouse P. G. Wodehouse The Man Upstairs and Other Stories… (1914)

Audrey had been right! Serpent Edith Butler had stolen his play.
His mind, during the remainder of the play, was active. By the time the final curtain fell and he passed out into the open air he had perceived some of the difficulties of the case. To prove oneself the author of an original play is hard, but not impossible. Friends to whom one had sketched the plot may come forward as witnesses. One may have preserved rough notes. But a dramatization of a novel is another matter. All dramatizations of any given novel must necessarily be very much alike.
Source: Wikisource

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