Summary

Derek Hudson,  Arthur Rackham: His Life and Work… (1960)

“ Rackham cast his spell over the play; his drawings superseded the work of all his predecessors from Gilbert to Abbey, and for fifty years have enriched the imagination; his conception of Puck and Bottom, Titania and Oberon, Helena and Hermia, his gnarled trees and droves of fairies, have represented the visual reality of the Dream for thousands of readers. Here he excelled especially in landscape, and in reconciling dream and reality, giving himself to the luxury of rich detail a rare generosity. ”
Source: Wikisource

Derek Hudson,  Arthur Rackham: His Life and Work… (1960)

“ A stranger wrote at once to sympathize: ‘I felt I must express my indignation at the injustice of the “Times” criticism. However, I am certain that Time is on your side, and that nothing but prejudice prevents your superiority being recognised now. Your delightful Alice is alive and makes by contrast Tenniel’s Alice look a stiff wooden puppet.’ ”
Source: Wikisource

Derek Hudson,  Arthur Rackham: His Life and Work… (1960)

“ Although the waves and eddies of Undine bear the mark of Art Nouveau, the work was still another step forward for Rackham, the unity of conception in the line drawings and the colour plates, the assertion of contrast in the moods of the heroine, rendering it a masterpiece of sympathetic understanding. Rackham had become a public figure. Writers, well-known and less well-known, continually invited him to illustrate their works ”
Source: Wikisource

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