Douglas Brooke Wheelton Sladen

Douglas Brooke Wheelton Sladen

Summary

Portrait of Douglas Brooke Wheelton Sladen Douglas Brooke Wheelton Sladen How to See the Vatican (1914)

What the Vatican lacks is architectural nobility. When you gaze on the glowing vaults of Raffaelle's Loggia, the triple tier of arcades which surround the superb Court of Saint Damasus, even when you move in the gorgeous baroque immensity of chambers like the Sala Regia, you feel their majesty. But the Vatican has neither the romantic splendour of Windsor, nor the grandeur of the Louvre. It looks more like a Parliament House than a Palace.
Source: Wikisource

Portrait of Douglas Brooke Wheelton Sladen Douglas Brooke Wheelton Sladen How to See the Vatican (1914)

There is a pathos haunting the Leonine Library, like that which stalks in the deserted halls of Holyrood, for here the first of the Popes to wear no earthly crown strove to carry on with undiminished dignity the more than royal ambition of the immortal Nicholas v., to make the Vatican the light of the world, to maintain on its hill a city that could not be hid.
Source: Wikisource

Portrait of Douglas Brooke Wheelton Sladen Douglas Brooke Wheelton Sladen How to See the Vatican (1914)

Peter's like a saint in glory, on his Sedia Gestatoria.
Every visitor must needs enter the Vatican by one of three entrances: by whichever he may enter he must be dead of soul whose imagination is not fired.
If it is the gate in the little pavilion, as graceful as a Classical temple, which admits the unprivileged to the Pope's Garden, the Vatican Library and the Museum of Sculpture, the Sistine Chapel and Raffaelle's Stanze and Loggia, he will be met by a procession of the gods of Greece, chiselled out of fair white marble in the workshops of two thousand years ago.
Source: Wikisource

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