E. F. Benson

E. F. Benson

Summary

Portrait of E. F. Benson E. F. Benson The House with the Brick-Kiln (1912)

And how came it that the face and figure of the man I had seen were the same as those which were so scrupulously painted in the picture of the brick-kiln?
I set myself to argue down the Fear for which there was no more foundation than this, this and the repetition of the ringing bell, and my belief is that I did so. I told myself, till I believed it, that a man—a human man—had been walking across the gravel outside, and that he had not come to the front door but had gone, as he might easily have done, up the drive into the high-road.
Source: Wikisource

Portrait of E. F. Benson E. F. Benson The House with the Brick-Kiln (1912)

The garden, it is true, appeared to have been for years untended; weeds half-choked the gravel paths, and the flower-beds were a congestion of mingled wild and cultivated vegetations. It was set in a wall of mellowed brick, in which snap-dragon and stone-crop had found an anchorage to their liking, and beyond that there stood sentinel a ring of ancient pines in which the breeze made music as of a distant sea.
Source: Wikisource

Portrait of E. F. Benson E. F. Benson The House with the Brick-Kiln (1912)

For myself—I was one of the tenants—I would far prefer living in a workhouse to inhabiting those low-pitched oak-panelled rooms, and I would sooner look from my garret windows on to the squalor and grime of Whitechapel than from the diamond-shaped and leaded panes of the Manor of Trevor Major on to the boskage of its cool thickets, and the glimmering of its clear chalk-streami where the quick trout glance among the waving water-weeds and over the chalk and gravel of its sliding rapids.
Source: Wikisource

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