E. F. Benson

E. F. Benson

Summary

Portrait of E. F. Benson E. F. Benson,  Thorley Weir

“ Gratitude and affection were so infinitely more becoming than the envious mistrust that Frank habitually exhibited. And how handsome the boy was, with his fresh colour, his kindled eyes, and unconscious grace of pose as he stood there palette on thumb! How fit to draw after him, like a magnet, the glances of some tall English girl. And at the thought, and at the remembrance of the injury he had done Charles, Craddock felt his dislike of him stir and hiss once more.
"I can't do that my dear Charles," he said, "as I have only a quarter of an hour to spare.
”
Source: Gutenberg

Portrait of E. F. Benson E. F. Benson,  Thorley Weir

“ She had her voice perfectly in control, but she could not control her colour. She felt that her face had become white, and though she detested herself for this palpable sign of emotion, she was powerless to prevent it.
"It is easy for me to account for it," said Philip, "though I should have hoped that my wish was enough."
"It isn't enough," said Joyce quietly. "I have treated him like a friend."
"You must treat him as a friend no longer, and as an acquaintance no longer. He is not a desirable friend for you nor an acquaintance. He is nothing to you: he painted a portrait.
”
Source: Gutenberg

Portrait of E. F. Benson E. F. Benson,  Thorley Weir

“ Hard and commercial and self-seeking as Craddock was he had the saving grace of true reverence for genius, and there was not the smallest question in his mind that it was a master's work that stood before him. There was no need to ask who was this tired and beautiful woman, for no one but her son could have painted a woman so, and have divined that unique inimitable love that no woman ever felt even for husband or lover, but only for those who have been born of her body and her soul. ”
Source: Gutenberg

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