Summary

Portrait of E. Nesbit E. Nesbit Man and Maid — VIII. Miss Mouse (1906)

And now Maisie’s mother gave way to her, finally and completely, even on the question of dress. The old wardrobe was ransacked to find materials to fit her out with clothes for her new venture. It was a beautiful time for Maisie. New things, and old things made to look as good as new, or better. It was like having a trousseau. The mother lavished on her child every inch of the old lace, every one of the treasured trinkets—even the little old locket that had been the dead husband’s first love-gift.
Source: Wikisource

Portrait of E. Nesbit E. Nesbit Man and Maid — VIII. Miss Mouse (1906)

Many companions, no doubt, marry Honourable James’s, or even Dukes, and are never at all glad to get home to their mothers and their Edwards. But Maisie was different. She feels now a sort of grateful tenderness for Yalding Towers, because, but for the dream she dreamed there she might never have really awakened—never have known fully and without mistake what it was in life that she truly cared for. And such knowledge is half the secret of happiness.
Source: Wikisource

Portrait of E. Nesbit E. Nesbit Man and Maid — VIII. Miss Mouse (1906)

Maisie knew all about old oak—she had read her Home Hints and her Gentlewoman’s Guide—but she had no idea that mahogany could be fashionable. None of the photographs of the drawing-rooms of celebrities in her favourite papers were anything like the little sitting-room where her mother sat knitting by the hearth, surrounded by the relics of a house that had been handsome in the ’sixties, when it was her girlhood’s home.
Source: Wikisource

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