E. Phillips Oppenheim

E. Phillips Oppenheim

Summary

Portrait of E. Phillips Oppenheim E. Phillips Oppenheim A Sprig of Heather (1896)

Morning after morning she came gliding down to us, flitting in and out of the pine-trees in her father's grounds, a soft white figure in the glancing sunlight, and blithely crossing the cliffs towards our chosen spot, with a man-servant behind bearing her easel. She, too, painted, not at all badly, and she was never weary of talking about art and the beauty of devoting one's life to it. To amuse her, Fred would tell her stories of our life in London, dwelling only upon the bright side of it, treating our impecuniosity as a joke, and blurring over our hardships.
Source: Wikisource

Portrait of E. Phillips Oppenheim E. Phillips Oppenheim A Sprig of Heather (1896)

I do not know a soul in London. I have some money, plenty of money, and I am going to take a studio here and paint. You talk to me as though I were a child. I am not a child! I am a woman, and women do those things I know. You treat me as though I were a girl who had run away from school. Don't be cruel, please! Let me stay here! I shall be no trouble, and I want to take that empty studio you told me about. I do not mind roughing it—not a little bit, Fred!
Source: Wikisource

Portrait of E. Phillips Oppenheim E. Phillips Oppenheim A Sprig of Heather (1896)

Yet I, at any rate, was a better man. We were both sun-burnt—as brown as berries—and we were bringing back work which we should have no need to hawk about. We could pay our debts, and start with a bit in hand. We talked this over, smoking a late pipe, and Fred did his best to be cheerful. When we parted he smiled quite bravely.
"Don't you bother about me, Owen," he said as we clasped hands the last thing, an old habit of ours. "I'm hit, but not mortally. And—and I wouldn't be without the memory of that month—not for worlds."
Source: Wikisource

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