E. Phillips Oppenheim

E. Phillips Oppenheim

Summary

Portrait of E. Phillips Oppenheim E. Phillips Oppenheim The Tempting of Tavernake

Don't you feel it, Pritchard? These mountains make our hills at home seem like dust-heaps. The skies seem loftier. Look down into that valley. It's gigantic, immense.”
Pritchard yawned.
“There's a little place in the Bowery,” he began,—
“Oh, I don't want to know any more about New York,” Tavernake interrupted. “Lean back and close your eyes, smell the cinnamon trees, listen to that night bird calling every now and then across the ravine. There's blackness, if you like; there's depth. It's like a cloak of velvet to look into. But you can't see the bottom—no, not in the daytime. Listen!”
Source: Gutenberg

Portrait of E. Phillips Oppenheim E. Phillips Oppenheim The Tempting of Tavernake

You've known Beatrice longer—you don't know Elizabeth very well, but let me tell you this. Elizabeth is a very wonderful person. I know something about character, I know something about those hidden powers which men and women possess—strange powers which no one can understand, powers which drag a man to a woman's feet, or which make him shiver when he passes another even in a crowd. You see, these things are a science with me, Mr. Tavernake, but I don't pretend to understand everything. All I know is that Elizabeth is one of those people who can just do what she likes with men.
Source: Gutenberg

Portrait of E. Phillips Oppenheim E. Phillips Oppenheim The Tempting of Tavernake

There were Walter Crease, Major Post, two men whom he had never seen before in his life—heavy of cheek, both, dull-eyed, but dressed with a rigid observance of the fashion of the city, in short dinner coats and black ties. And between them was Elizabeth. Tavernake gripped the sides of his chair and looked. Yes, she had altered. Her eyebrows were a trifle made up, there was a tinge in her hair which he did not recognize, a touch of color in her cheeks which he doubted. Yet her figure and her wonderful presence remained, that art of wearing her clothes as no other woman could.
Source: Gutenberg

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