Edgar Wallace

Edgar Wallace

The avenger (1926)

Summary

Portrait of Edgar Wallace Edgar Wallace,  The avenger (1926)

“ Penne was sitting cross-legged on a silken divan, his eyes watching the gyrations of a native girl as she twirled and twisted to the queer sound of native guitars played by three solemn-faced men in the darkened corner of the room. Gregory wore a suit of flaming red coloured pyjamas, and his glassy gaze and brute mouth told Stella all that she wanted to know about her evil friend.
Sir Gregory Penne was no less and no more than a slave to his appetites. Born a rich man, he had never known denial of his desires.
”
Source: Gutenberg

Portrait of Edgar Wallace Edgar Wallace,  The avenger (1926)

“ In other circumstances he might have thought it grotesque to see Jack Knebworth pretending to be a young girl, resting his elderly cheek coyly upon the back of his clasped hand, and walking with mincing steps from one side of the picture to the other. But he knew that the American was a mason who was cutting roughly the shape of the sculpture and leaving it to the finer artiste to express in her personality the delicate contours that would delight the eye of the picture-loving world. She was no longer Adele Leamington ”
Source: Gutenberg

Portrait of Edgar Wallace Edgar Wallace,  The avenger (1926)

“ The sound of her scream was deadened in the hairy paw, but somebody heard it. From the ground below came a flash of fire and the deafening ‘tang!’ of a pistol exploding. A bullet zipped and crashed amongst the ivy, striking the brickwork, and she heard the whirr of the ricochet. Instantly the great monkey released his hold and dropped down out of sight. Half swooning, she dropped upon the window-sill, incapable of movement. And then she saw a figure come out of the shadow of the laurel bush, and instantly recognized the midnight prowler. It was Michael Brixan. ”
Source: Gutenberg

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