Summary

Portrait of Edith Wharton Edith Wharton The Marne: A Tale of the War

And this young man, his dearest friend and companion, was to be torn from him suddenly, senselessly, torn from their endless talks, their long walks in the mountains, their elaborately planned courses of study—archæology, French literature, mediæval philosophy, the Divine Comedy, and vistas and vistas beyond—to be torn from all this, and to disappear from Troy Belknap's life into the black gulf of this unfathomable thing called War, that seemed suddenly to have escaped out of the history books like a dangerous lunatic escaping from the asylum in which he was supposed to be securely confined!
Source: Gutenberg

Portrait of Edith Wharton Edith Wharton The Marne: A Tale of the War

To Troy, France had been the biggest of those windows.
The young tutor had never declaimed about his country; he had simply told her story and embodied her ideals in his own impatient, questioning and yet ardent spirit. "Le monde est aux enthousiastes," he had once quoted; and he had shown Troy how France had always been alive in every fibre, and how her inexhaustible vitality had been perpetually nourished on criticism, analysis and dissatisfaction. "Self-satisfaction is death," he had said; "France is the phœnix-country always rising from the ashes of her recognized mistakes."
Source: Gutenberg

Portrait of Edith Wharton Edith Wharton The Marne: A Tale of the War

People went about their business as usual, and it was obvious that the strained look on every face was not caused by the random fall of a few shells, but by the perpetual vision of that swaying and receding line on which all men's thoughts were fixed. It was sorrow, not fear, that Troy read in all those anxious eyes—sorrow over so much wasted effort, such high hopes thwarted, so many dear-bought miles of France once more under the German heel.
Source: Gutenberg

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