Edward Bellamy

Edward Bellamy

Summary

Portrait of Edward Bellamy Edward Bellamy A Positive Romance

All that there is in man’s sentiment for woman which is higher than passion and larger than personal tenderness—all, that is to say, which makes his love for her the grand passion which in noble hearts it is—is the fact that under this form his passion for the race finds expression. Mysterious ties, subtending consciousness, bind him, though seemingly separate, to the mighty life of humanity, his greater self, and these are the chords which, when ‘Love took up the harp of life,’... ‘passed in music out of sight.’ In woman humanity is enshrined and made concrete for the homage of man.
Source: Gutenberg

Portrait of Edward Bellamy Edward Bellamy A Positive Romance

The age of chivalry had translated for all time the language of love into that of worship. Art had personified under the feminine form every noble and affecting ideal of the race, till now it was in the name of woman that man’s better part adjured his baser in every sort of strife towards the divine. Is it alleged that it is man’s passion for woman that has moved him thus in a sort to deify the sex? Passion is no teacher of reverence. Moreover, it is as the race outgrows the dominion of passion that it recognizes the worshipfulness of woman.
Source: Gutenberg

Portrait of Edward Bellamy Edward Bellamy A Positive Romance

Who is this goddess veiled in woman whom men instinctively reverence yet cannot name?
“The adoration of woman, which may almost be called the natural religion of the modern man, springs from his recognition, instinctive when not conscious, that she is in an express sense, as he is not, the type, the representative, and the symbol of the race from which he springs, of that immortal and mystical life in which the secret of his own is hid.
Source: Gutenberg

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