Summary

Edward J. O'Brien The Forgotten Threshold: A Journal of Arthur Middleton

It is the wonder of incarnate Music that saved the world, Absolute Silence born into Sound, and dying with all Sound into Silence. The archangels are God's messengers of life and death, for they control the days. But they are sent from Him to His Image, and our weaving is made out of their materials as we adapt them to our song. All outer powers and forces are brought us by the angels, and among the dearest to God's heart are his flame-winged Possibilities that hover on the borderline between today and tomorrow, Time and Eternity. They alone may not enter time unless we beckon them.
Source: Gutenberg

Edward J. O'Brien The Forgotten Threshold: A Journal of Arthur Middleton

We love earth, air, fire, and water now, but the eternal joy of swimming through the Light of God and reflecting His Light in song and silence is the infinity of all poets' dreams incarnate in the awful speed of Absolute Music. It is the privilege of laughing into the Eyes of God, those Eyes before which the angels veil their faces. It is the privilege of smelling the blossom of the Living Rose, of tasting and consuming forever the Body and Blood, of touching the Sacred Knees, and of hearing the Divinity who is Music.
Source: Gutenberg

Edward J. O'Brien The Forgotten Threshold: A Journal of Arthur Middleton

Today I have been influenced by Frederick Tennyson, Traherne, and Patmore. In agony lies the highest music. The key is struck by circumstance, Time's organist, and the stars tremble with music. For the full thundering silence of Absolute Beauty a Divine Agony was necessary, so that all Heaven and its choirs and Hell trembled in the majesty of this stricken Doom. Death is the final chord, the passage of our full song from time to the silence of eternity. Sleep next to death is the most terrible life that soul and body knows.
Source: Gutenberg

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