Edward Simmons,
From Seven to Seventy: Memories of a Painter and a Yankee
“ One of the ceilings that was a pale robin’s-egg blue in ’91 is now an exquisite velvet khaki. No man could paint it. Whistler would give up in despair the idea of even copying it. Like the quality of the hair and skin of a dear old face, it gives an air of good breeding, calm, and quiet over all.The halls and stairways of the house are lined with photographs and playbills, with, here and there, a painting. Over the fireplace hangs that admirable portrait of Edwin Booth by Sargent which gives one an entirely new conception of the actor. ”
