Summary

Portrait of Edward Verrall Lucas Edward Verrall Lucas 1911 Encyclopædia Britannica, Volume 16… (1911)

Charles Lamb is entitled to a place as an essayist beside Montaigne, Sir Thomas Browne, Steele and Addison. He unites many of the characteristics of each of these writers—refined and exquisite humour, a genuine and cordial vein of pleasantry and heart-touching pathos. His fancy is distinguished by great delicacy and tenderness; and even his conceits are imbued with human feeling and passion. He had an extreme and almost exclusive partiality for earlier prose writers, particularly for Fuller, Browne and Burton, as well as for the dramatists of Shakespeare’s time
Source: Wikisource

Portrait of Edward Verrall Lucas Edward Verrall Lucas 1911 Encyclopædia Britannica, Volume 16… (1911)

The calm self-mastery and loving self-renunciation which Charles Lamb, by constitution excitable, nervous and self-mistrustful, displayed at this crisis in his own history and in that of those nearest him, will ever give him an imperishable claim to the reverence and affection of all who are capable of appreciating the heroisms of common life.
Source: Wikisource

Portrait of Edward Verrall Lucas Edward Verrall Lucas 1911 Encyclopædia Britannica, Volume 16… (1911)

Lamb’s object was to show how our ancestors felt when they placed themselves by the power of imagination in trying situations, in the conflicts of duty or passion or the strife of contending duties; what sorts of loves and enmities theirs were.
As a poet Lamb is not entitled to so high a place as that which can be claimed for him as essayist and critic.
Source: Wikisource

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