Edwin Arlington Robinson

Edwin Arlington Robinson

Summary

Portrait of Edwin Arlington Robinson Edwin Arlington Robinson Children of the Night

Song sloughs away the sin to find redress In art's complete remembrance: nothing clings For long but laurel to the stricken brow That felt the Muse's finger; nothing less Than hell's fulfilment of the end of things Can blot the star that shines on Paris now.
Sonnet When we can all so excellently give The measure of love's wisdom with a blow, — Why can we not in turn receive it so, And end this murmur for the life we live? And when we do so frantically strive To win strange faith, why do we shun to know That in love's elemental over-glow God's wholeness gleams with light superlative?
Source: Gutenberg

Portrait of Edwin Arlington Robinson Edwin Arlington Robinson Children of the Night

V To me the groaning of world-worshippers Rings like a lonely music played in hell By one with art enough to cleave the walls Of heaven with his cadence, but without The wisdom or the will to comprehend The strangeness of his own perversity, And all without the courage to deny The profit and the pride of his defeat. VI While we are drilled in error, we are lost Alike to truth and usefulness. We think We are great warriors now, and we can brag Like Titans; but the world is growing young, And we, the fools of time, are growing with it: — We do not fight to-day, we only die
Source: Gutenberg

Portrait of Edwin Arlington Robinson Edwin Arlington Robinson Children of the Night

God slays Himself with every leaf that flies, And hell is more than half of paradise. No, there is not a dawn in eastern skies — In eastern skies. Out of a grave I come to tell you this, — Out of a grave I come to quench the kiss That flames upon your forehead with a glow That blinds you to the way that you must go. Yes, there is yet one way to where she is, — Bitter, but one that faith can never miss. Out of a grave I come to tell you this — To tell you this. There is the western gate, Luke Havergal, There are the crimson leaves upon the wall.
Source: Gutenberg

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